
Phano, 2017, papier maché, concrete, plywood, and gesso, 39 x 25 x 33 in

Phano, 2017, papier maché, concrete, plywood, and gesso, 39 x 25 x 33 in

Cahpto, 2017, papier maché, concrete, plywood, and gesso, 21 x 14 x 25 in

Cahpto, 2017, papier maché, concrete, plywood, and gesso, 21 x 14 x 25 in

Limik, 2017, papier maché, concrete, and gesso, 26 x 18 x 15 in

Limik, 2017, papier maché, concrete, and gesso, 26 x 18 x 15 in

Whixoom, 2017, papier maché, concrete, plywood, and gesso, 23 x 35 x 35 in

Phaxa, 2017, papier maché, concrete, plywood, and gesso, 41 x 68 x 11 in

Kaloune, 2017
Jen Aitken and Margaret Priest—Material Matters: Investigations into Place and Placement, 2017, Georgia Scherman Projects, Toronto

Pfeen, 2017, papier maché, concrete, and gesso, 48 x 21 x 33 in










Phano, 2017, papier maché, concrete, plywood, and gesso, 39 x 25 x 33 in
Phano, 2017, papier maché, concrete, plywood, and gesso, 39 x 25 x 33 in
Cahpto, 2017, papier maché, concrete, plywood, and gesso, 21 x 14 x 25 in
Cahpto, 2017, papier maché, concrete, plywood, and gesso, 21 x 14 x 25 in
Limik, 2017, papier maché, concrete, and gesso, 26 x 18 x 15 in
Limik, 2017, papier maché, concrete, and gesso, 26 x 18 x 15 in
Whixoom, 2017, papier maché, concrete, plywood, and gesso, 23 x 35 x 35 in
Phaxa, 2017, papier maché, concrete, plywood, and gesso, 41 x 68 x 11 in
Kaloune, 2017
Jen Aitken and Margaret Priest—Material Matters: Investigations into Place and Placement, 2017, Georgia Scherman Projects, Toronto
Pfeen, 2017, papier maché, concrete, and gesso, 48 x 21 x 33 in